Which is to say that 68% were women. And that's over-all, for all Broadway musicals generally. Anybody wanna guess how many men, on the one hand, and how many women, on the other, paid money for tickets to the musical version (
Imagine!) of
The Bridges of Madison County in particular? Would it surprise you to know that it attracted so few male attendees that it went bust? What's
funny, kind of, if you think the Heterosexual (Cunt Indulgent) Tyranny is
funny, is that you
may not say aloud, exactly
that, without the fucking
roof falling in. Because to
acknowledge that
only [dipshit, short-legged, fat, unblinking, vulgarly and tastelessly sentimental]
females read the ghastly book, or
watched the clit-flick made from it, or could
bear to sit through the fucking
musical based on it, is to zone in on a thrillingly painful (for the ladies) aspect of the Great Divide between our dimorphic sexes: One that really
quite justifies an impatient, off-hand, dismissive--though of course not necessarily punitive--
misogyny.
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